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Grantmaking

ArtsFund distributes grants in several ways, including our Allocations grants and a variety of targeted funds. Since its founding, ArtsFund has strengthened the community by supporting over 1,000 arts and cultural organizations in Washington State with approximately $130 million awarded in grants. FY24 was the largest amount of all-time grantmaking in ArtsFund’s history, reaching 37 out of 39 counties in Washington State.

About Grantmaking

 


 

Community Accelerator Grant

The Community Accelerator Grant, funded by the Paul G. Allen Family Foundation, is a historic $10 million investment in Washington’s arts and culture sector. These grants delivered essential capital to Washington’s cultural organizations, including fiscally sponsored and tribal entities, whose primary missions are to produce or support arts and cultural activities. In FY23, the first year of the program awarded 671 organizations throughout 35 of Washington’s 39 counties. In FY24, the number of counties increased to 37 with 811 grantees receiving funding.

Community Accelerator Grant Program

2024 Community Accelerator Grant Recipients

 

All counties with average award size over $15,000 had a population density of less than 100 people per square mile, demonstrating a commitment to getting funding to rural communities.

140 more grantees were awarded funding through the Community Accelerator Grant in 2024. In 2023, there were 671 grantees and, in 2024 there were 811.
Inside an image of the state of Washington are the words, "34% of Washington's federally recognized tribes received funding in 2024."
140 more grantees were awarded funding through the Community Accelerator Grant in 2024. In 2023, there were 671 grantees and, in 2024 there were 811.
Inside an image of the state of Washington are the words, "34% of Washington's federally recognized tribes received funding in 2024."

In the Community Accelerator Grant’s second year, 140 more grantees were awarded funding, and 28% of all grantees were first-time applicants. In 2024, 20% of the Community Accelerator grantees represented rural populations (as defined by Washington State); 52% report their staff or board was majority BIPOC, LGBTQ+, or people with disabilities; and 81% created or provided programming that centered one or more of these communities.

 

How are grantees planning on using the funds?

Plans to allocate funding towards programming rose 8% in the program’s second year. Grantee responses reported a 3% decrease in funds going towards facilities upgrades, and a similar percentage of funds going towards salaries and labor.

This is a bar graph depicting the top three funding priorities according to 2023 and 2024 Accelerator Grantees. The y axis is the % of grantee responses. In 2023, 11% of grantees used the funding for facilities upgrades, 37% used the funding for Salaries & Labor and 39% used the funding for programming. In 2024, 8% of grantees used the funding for facilities upgrades, 37% used the funding for Salaries & Labor and 47% used the funding for programming.

This is a graph showing 2024 Community Accelerator applicants responded with either "strongly agree" or "agree" to the prompt, "Our organization creates and provides programming centering the following communities:" 71% are BIPOC, 54% are LGBTQIA+ and 45% are people with disabilities.

CAG Case Studies

Following the 2024 grantee announcement, we interviewed eight grantees to learn more about their organizations and how the Community Accelerator Grant might impact their work. These interviews, shared through the perspectives of the 2024 grantees, provide a deeper understanding of the program’s impact.

Community Accelerator Grant Case Studies

Two Asian actors gaze into each other's eyes on a stage. One is wearing a leather jacket and the other holds the helmet the other person is carrying.

A bunch of filmmakers and writers have gathered in a large space. They're masked and lit by the sunlight from outside.

Left: Pork Filled Productions, Photo courtesy of organization.
Right: Bioluminescent Films, Photo courtesy of organization


 

Youth Arts Opportunity Fund

The Youth Arts Opportunity Fund (YAOF) aims to increase access to participation in meaningful, robust, sustained arts experiences for youth with low socioeconomic status or who have historically lacked access to arts programs. YAOF grants provide flexible operation funds to arts organizations that demonstrate an authentic commitment to this work. In FY24, ArtsFund received 50 eligible applications for YAOF funding and awarded grants to 30 organizations, marking the highest distribution in the program’s history with a total of $208,600.

2024 YAOF Grantee Announcement

A woman and a man are performing The Tale of Peter Rabbit. They are dressed as bunnies and the man is also wearing Peter Rabbit's signature blue cardigan. A giant book of the Tale of Peter Rabbit and structures with grass-like pictures are in the background.

A classroom full of youth raise their hands in the air as someone plays the guitar.

Left Photo: Seattle Children’s Theatre, A Tale of Peter Rabbit, photo by Truman Buffett 
Right Photo: Jack Straw Cultural Center, McGilvra Elementary Poetry and Song 2024, Photo by Sherwin Eng

“This additional unrestricted general operating support helps us focus on our mission of serving youth through live theatre and arts education. We appreciate ArtsFund’s continued faithful support.”

Charissa Adams Institutional Giving Manager, Seattle Children's Theatre

Annual Allocations

Allocations grants are our flagship annual grant program. Through Allocations, ArtsFund issues unrestricted grants to arts and cultural nonprofits in the Puget Sound region. These grants support organizational health and strengthen the arts ecosystem.

ArtsFund’s allocations are awarded by a panel of community members who engage with ArtsFund in a thorough vetting process, evaluating application materials and interviewing the leadership of arts groups.

2024 Allocations Grantees

About Allocations

 

Meet Two New Allocations Grantees

TASVEER

The logo to Tasveer; a Southeast Asian women wearing an orange dress shouts into a megaphone that spits out film and holds a book in the other hand.

Tasveer, founded in 2002 in Seattle, is dedicated to inspiring social change through South Asian films, art, and storytelling. Their mission is to provide a platform for filmmakers and storytellers, using narratives to amplify underrepresented voices. Guided by principles of creativity, dialogue, education, and inclusivity, Tasveer strives to produce high-quality programs that foster understanding of South Asian cultures. Through events like the Tasveer South Asian Film Festival and the Tasveer Film Fund, the organization engages the community and builds a more informed society.

Learn more about Tasveer

Two Southeast Asian women from Tasveer are giving a talk on stage. One of them is wearing a blue blazer and jeans. The other women is wearing a burnt orange dress with red and cream colored flowers on it.

Four TASVEER filmmakers stand in front of a backgdrop with the Tasveer logo spread across it. They are all Southeast Asian, dressed nice, and holding up four fingers.

Photos courtesy of Tasveer

SOUND THEATRE

The Sound Theatre Company logo.

Sound Theatre Company, established in 2006 in Seattle, empowers artists to express the dignity and diversity of the human experience, aiming to move audiences toward a more just and compassionate world. Committed to inclusivity and diversity, Sound Theatre integrates these principles into its programming, casting, hiring, audience engagement, and volunteer recruitment practices. The organization’s core values include community, collaboration, integrity, excellence, innovation, and mentorship, all contributing to its mission of creating high-quality theatrical work inspired by language, music, and humanity.

Learn more about Sound Theatre

Three actors from the Sound Theatre are performing in a play. One woman in pigtails is holding the hands to a woman in distress who's sitting in a chair. The third woman is standing and wearing clothes similar to a fortune teller.

Photo: Autocorrect Thinks I’m Dead by Aimee Chou, photo courtesy of Sound Theatre Company